This chapter presents the case studies of two
francophone men: one a French nobleman born during the
French Revolution, Astolphe de Custine, 17901856;
and one a Swiss philosophy professor and a generation
younger, Henri-Frédéric Amiel,
182181. For each, the central story of his life was
how he related to his own fragile gender and sexuality
Custine was, it emerged, homosexual, whilst Amiel
defined himself as lacking in all those attributes of
strength, energy and productiveness which he himself
defined as truly masculine. The histories of their
gender-ing (because it was a process) oscillate
suggestively between illness and text. That is to say,
their stories are about illness, actual or perceived,
selfdiagnosed or socially-determined, and their response
both in terms of diagnosis and resolution
is profoundly textual. By this I mean that they construe
their problems in terms of a general cultural malaise
exemplified by a piece of high literature, to which they
respond textually, re-identifying themselves in the light
of it and thus dramatising and playing out the tension
between gender, sexuality, health and society that they
had to live with. They therefore leave the label of ill
health behind, and write themselves towards well-being.
Or do they?
The general cultural malaise to which I am
alluding was what was known in France as the mal du
siècle the sickness of the century.
The text which defined, exemplified or even caused it (as
a fashionable trend) is Chateaubriands René,
first published in 1802 as part of his five-volume
pro-Christian polemic, Le génie du Christianisme
(The Genius of Christianity). René is the
story-with-a-moral of a dispossessed young nobleman, in a
state of undefined yearning, awash with emotion yet
devoid of purpose in life. His older sister decides to
become a nun, and on the verge of taking her vows breaks
out with an admission of her incestuous feelings for him.
This is the catalyst of self-realisation for René
who in despair departs for America where he makes a sort
of half-life with the Natchez Indians, married but
childless and living separately from his Natchez wife. He
is known for his mysterious melancholy. There he learns
of his sisters death, and finally reveals his story
to the tribal elders, who, reprimanding him, tell him to
temper [the] character which ha[d]
already wreaked such havoc. He fails to stop
yearning and being melancholy, and meets death soon after
in a battle. Chateaubriand explicitly if rather
ambiguously frames this tragic story of impossible
love in a disapproving context. He is, he says, painting
a portrait, undiluted by adventure, of the
indistinctness of the passions whereby a
great misfortune is sent to punish René and
shake up those young men who, surrendering themselves up
to pointless dreaming, criminally evade their dues to
society.5 The pointless dreaming very
clearly refers to Renés forbidden obsession
with his sister while the criminal evasion of
societys dues as clearly refers to his
refusal to take an active patriarchal role in the tribe
and to start a family. That is to say, the problem arises
from unacceptable sexual desire, construed as
anti-social, even as destructive of society.